Artist Series

Every year, we work with world-class Indigenous artists to create a limited edition collection where they use our mukluks as a canvas for their art.
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Pat Bruderer

Cree
Meet the Artist
Pat Bruderer

A birch bark biting is a unique piece of Indigenous artwork. They are made by biting an image, using only the teeth, into a thin, single layer of birch bark from the birch tree. Birch bark had many uses historically, from making canoes and cooking pots, to medicinal uses. Birch bark bitings were used as a means to create bead work patterns on clothing and moccasins, to share stories and to record ceremonies. Birch bark biting is an extremely rare skill in modern times, and the rarity of the art form makes them even more special! The artist begins by peeling a thin strip of birch bark from a birch tree. Then, by carefully folding the bark, the pattern imagined is pressed into the birch bark, using only the teeth.

Madison Holler

Anishinaabe / Dutch / Scandinavian
Meet the Artist
Madison Holler

This sprawling scape of flora and fauna is a homage to the symmetry of all things, solstice to equinox, dusk to dawn, the blossom and the wilt, both right and wrong, anguish and joy, the whisper and the song. I wanted to showcase a few of my seasonal favorites and teachers from Anishinaabewaki land. From the loon's call in the late spring and the arrival of the butterflies, the floral blooms of summer, juicy blueberries of late July, the pine martens winter dance at twilight, to the deep winter soar of the bald eagle. The Dutch floral masters would paint still life with blooms that would likely never be arranged together. The plant life and insects they depicted lived seasons apart from one another or far from the other's natural habitat. All of these cherished kin, who could never hold a moment together, make our experience whole.

Tiffany Vanderhoop

Haida / Aquinnah Wampanoag
Meet the Artist
Tiffany Vanderhoop

The traditional weaving of the Indigenous Peoples of the Northwest coast is rich in history. I come from a family of weavers and the design elements of Naaxiin and Raven's Tail weaving has heavily influenced my art. This art is so complex and has layers of meaning and power, it deserves to be held in high esteem and to be known and celebrated. I am honored to share the art of my ancestors in a contemporary way that is wearable for everyone.